The Incredible Hulk (2008)
Edward Norton, Liv Tyler, William Hurt, Tim Roth, Tim Blake Nelson. Written by Zak Penn; directed by Louis Leterrier.
I didn’t think I’d care much for Edward Norton as Bruce Banner, now that I’ve gotten used to Mark Ruffalo, but it only took a few minutes for me to see the appeal of this casting. He reminds me so much of Bill Bixby in the television version that I felt comfortable and nostalgic with Norton in the role. I love the brainy quiet Norton brings, and he communicates the always-looking-over-his-shoulder vibe well.
There’s a little bit of playing around with Hulk’s origins, if I remember things correctly, but they’re minor enough that I don’t really care. I don’t remember Hulk having any love interests, so I went in with a blank canvas for Liv Tyler as Betty Ross, whose smart, loyal, kind of girlish silliness I took very quickly to. There is a scene, when Ross and Banner connect after a long time apart that pretty much sold me on the rest of the film just because it felt so great. I found myself wistful and nostalgic for reunions I never had, happy that these two characters were going to go through the next terrible hour together.
It’s this relationship that makes the tension in The Incredible Hulk bearable. Banner’s situation is so unspeakably terrible that it’s hard to imagine him finding any peace at all, ever again. Yet Ross’s unflinching loyalty makes it seem possible, even knowing the love story is likely doomed to failure.
While I’m neither a fan of extended superhero fight sequences nor urban chase scenes, both are interesting enough in this movie to keep me engaged, especially a rooftop-and-alley run through the slums of a Brazilian city that’s beautiful to look at. There’s a lot of running in Hulk movies.
The villain is a creature named Abomination, the alter-ego of a character played by Tim Roth. I didn’t find either incarnation especially intriguing, even though I generally love Roth. His enabler, a general played by William Hurt, is so two-dimensional he’s practically a line segment on the screen. If not for Banner’s own personal conflicts, this movie would have been dreadful. Thankfully, Norton and Tyler make it pretty dang good.