I can’t tell you why the title of this entry is relevant, but the song is playing on the speakers in this establishment, and the song is an especially good soundtrack to part of what I’m writing here.
I don’t know if I have it in me to do the Friday 5 this late Sunday evening. I’ll type a few thoughts and see.
My part in the stressful project at work isn’t as finished as I thought. I’m not sure when my part will be done — it seems when I think they’re happy with my draft, they come at me with “can we do this?” And it doesn’t bother me much but the communication this past week was weird. Like people are saying, “Why did you do this?” And I’m saying “You know why I did this. If you wanted to reverse it you totally could have, or just told me you wanted it reversed and I’d have been happy to do it.”
I understand my role, and I embrace it. I’ve embraced it for going on three years, and usually it’s not a problem. Tell me what you want, and I’ll write it. If I disagree, I may say something about why, but I’ll almost always defer unless the point of contention is about grammar or some other mechanical aspect of the language, which I consider myself better informed about than almost everyone I work with.
People I work with appreciate and respect my expertise. I don’t know much about most things, but I know what good writing is, and I know how to produce it. On this project, though, I think people aren’t being clear about what they want and don’t want. So I assume the drafts are fine until I’m told that I need to change certain things and I need to change them now.
Geez. I wouldn’t really mind that either, but be a little nicer about it, you know? And don’t make it sound like the draft is where it is now because of me. If I’m waiting for you to tell me what you want, and you don’t tell me what you want until seconds before you need it, don’t act like I’m the reason nothing’s been done yet.
This project has been making me lose sleep, and it’s not the work itself. I haven’t been nervous or stressed a single moment about the work, which involves some very high stakes. This team I’m part of always produces excellent work. High stakes don’t change any of that. I want our project to succeed, but I’m not afraid of its failure. That’s how you do good work.
It’s the communication that’s been driving me insane.
I’m working myself up just typing this, so I’m going to back off a bit.
This is going to sound a little weird, but I’d kind of like to piss Crush Girl off. Not about anything important, but maybe some minor way that sets her off. I haven’t seen her mad (although I’ve certainly made her mad; I just wasn’t around to see it!), and I suspect she’s beautiful when she’s angry.
I can think of two friends who got really beautiful when they were mad. One is Janice, with whom I spent a lot of time before she married my former college roomie Sterling. I was on the receiving end of at least four very angry scoldings and I have to tell you, that fury made a beautiful woman beautiful. A few times I saw her unleash it at others, and how great it was when I wasn’t the target. I could get a closer look, for one thing.
The other is R, whom I’ve seen angry more than anyone I’m not related to, and only a very few times was I the person she was angry with. Hers was a little different — she went right up to the line between anger and psycho. Once, when she was mad at her mom, I am quite sure I saw her go a step or two over the line, and that was pretty scary. I didn’t have anyone to compare it to until Helena Bonham Carter’s performance as Bellatrix LeStrange. Yeah, it was that kind of psycho-beautiful.
I’ve only noticed in the past couple of months (that is, in the time since she friendzoned me) that Crush Girl has a really musical way of speaking, especially when she’s either going a little gaga over a doggie or a baby, or when she’s listening sympathetically to someone else’s sad story.
I’m actually trying to learn a thing or two from her on that last thing. She makes all these really sympathetic sounds that I’m not sure would work coming from me, but the vocalizations are so sympathetic that I think they help all by themselves. When I hear someone telling her about their bad day or whatever, and she makes these (I’m not even going to try and spell them) sounds of caring, I feel like little daggers are going right into my heart.
I still don’t know her very well, especially not outside the one context in which we interact, but when I see the way she listens to people, I think she’s someone I could love. That’s never enough, I know, so don’t remind me. It’s a good sign, though. There’s a really good person in there.
R had a very musical way of speaking, which over many years of being her friend I picked up a little of, which I’m sure doesn’t help my already semi-effeminate speaking mannerisms, which have led many people to ask if I’m gay, which I’m not. Or from California, which I also am not.
Crush Girl’s musical inflections are different. Like she’s singing along with a completely different orchestra. Like she’s got a story to tell, and if you just wait a moment, she’s going to sing it to you. I’m picturing Amy Adams in Enchanted, although it’s not quite like that. I need time to think about it, because I’m pretty sure I can think of an actor she reminds me of.
Speaking of Enchanted, I saw the new Anna Kendrick movie, Noelle, which is streaming on the new Disney +. It’s not great, but Anna is great in it, so I’ll probably see it a few times a week between now and the new year. It reminded me of a cross between Elf and Arthur Christmas. It’s going to remind everybody of Elf.
A coworker also saw it, and she said it reminded her of Elf and Enchanted, and I can see that too.
It has moments of cleverness and genuine, sincere kindness. It has moments of stupid, too, like when Noelle is required to address the North Pole denizens about what Christmas means to her. Ugh. Ugh. Bleah. Vomit.
But you know, I teared up twice and actually shed tears once. Anna really sells the kindness.
Now that things aren’t going to happen with Crush Girl, I should probably give Anna another chance. Although really, if she goes another ten years without calling me, I might stop waiting around.